David Hill Gallery

David Hill Gallery shows both established and lesser-known 20th century and contemporary photographers, specialising in presenting previously unseen work. Exhibitions have included the first solo show of Burt Glinn's coverage of the Cuban Revolution, George Rodger's recently unearthed 1940s colour series on the Sudan's Nuba and Latuka tribes, and the first solo show outside of West Africa of Sory Sanlé's work from Burkina Faso. Mario Carnicelli’s sharply observed mid-1960s American street photography sits with Hunter Barnes' extraordinary Off The Strip series, a document of the fading Las Vegas of yesteryear.

Artforms available

Photography

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345 Ladbroke Grove, London, W10 6HA

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£100 to £2,500 – 10 months

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- Accessible car parking
- Accessible facilities
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Get in touch via email [email protected]

Website www.davidhillgallery.net

Latest News & Events

19 Sep 19 < 1 min read

USA

David Hill Gallery | London

23 Oct 19 < 1 min read

OUTSIDE OF LIFE

David Hill Gallery | London

Artists

Hunter Barnes
Bill Bernstein
Ian Berry
Werner Bischof
Mario Carnicelli
Burt Glinn
S. J. 'Kitty' Moodley
Billy Name
George Rodger
Dan Nathan
Peter Angelo Simon
Derrick Santini
Sanlé Sory

Instagram

Four Sanlé Sory photographs have recently entered

Four Sanlé Sory photographs have recently entered the permanent collection of London’s Victoria & Albert Museum and are on display in the Photography Centre ‪until 19th April 2020‬
.
One of four photographers exhibited on a wall of new acquisitions, #sanlésory's prints are displayed alongside work by #MitchEpstein, #LeeFriedlander and #PhilippeGarner. These images are all included in the new @vamuseum book Autofocus: The Car in Photography, which is published to coincide with the exhibiton of the same name. This will be shown in the Sainsbury Gallery ‪from 23rd November to 19th April‬
.
For information and enquiries about print availability, please contact info@davidhillgallery.net
.
Sanlé Sory – 2CV Bricoleé, 1968

Four Sanlé Sory photographs have recently entered

Four Sanlé Sory photographs have recently entered the permanent collection of London’s Victoria & Albert Museum and are on display in the Photography Centre ‪until 19th April 2020‬
.
One of four photographers exhibited on a wall of new acquisitions, #sanlésory's prints are displayed alongside work by #MitchEpstein, #LeeFriedlander and #PhilippeGarner. These images are all included in the new @vamuseum book Autofocus: The Car in Photography, which is published to coincide with the exhibiton of the same name. This will be shown in the Sainsbury Gallery ‪from 23rd November to 19th April‬
.
For information and enquiries about print availability, please contact info@davidhillgallery.net
.
Sanlé Sory – Le plein chez Total, route de Banfora, 1974

Four Sanlé Sory photographs have recently entered

Four Sanlé Sory photographs have recently entered the permanent collection of London’s Victoria & Albert Museum and are on display in the Photography Centre ‪until 19th April 2020‬
.
One of four photographers exhibited on a wall of new acquisitions, #sanlésory's prints are displayed alongside work by #MitchEpstein, #LeeFriedlander and #PhilippeGarner. These images are all included in the new @vamuseum book Autofocus: The Car in Photography, which is published to coincide with the exhibiton of the same name. This will be shown in the Sainsbury Gallery ‪from 23rd November to 19th April‬
.
For information and enquiries about print availability, please contact info@davidhillgallery.net
.
Sanlé Sory – La Balade en Ville, 1972

Now showing - Hunter Barnes: Outside of Life‪, u

Now showing - Hunter Barnes: Outside of Life‪, until 20th December 2019‬
‪.‬
In 2003, #HunterBarnes spent a year travelling the USA, documenting individuals on the fringe of society who he met along the way, including lowriders, bikers, Bloods and California State Prison inmates. In time, Barnes gained their trust and understanding, which lead to acceptance into these communities. Living with a motorcycle club in New York, Hunter also rode through the deserts of New Mexico with lowrider car clubs, was accepted by Bloods in East St. Louis, and was granted access to California’s maximum-security prison system, the first photographer to be permitted to shoot inside its walls. Outside of Life collects Barnes' images of that year
.
‘By turns confrontational and revealingly sensitive, Barnes’ monochrome pictures capture individuals who have either chosen or been condemned to lead lives beyond the norms of bourgeois society.’ The Week
.
Hunter Barnes: #2, California State Prison, 2003

Now showing - Hunter Barnes: Outside of Life‪, u

Now showing - Hunter Barnes: Outside of Life‪, until 20th December 2019‬
‪.‬
In 2003, #HunterBarnes spent a year travelling the USA, documenting individuals on the fringe of society who he met along the way, including lowriders, bikers, Bloods and California State Prison inmates. In time, Barnes gained their trust and understanding, which lead to acceptance into these communities. Living with a motorcycle club in New York, Hunter also rode through the deserts of New Mexico with lowrider car clubs, was accepted by Bloods in East St. Louis, and was granted access to California’s maximum-security prison system, the first photographer to be permitted to shoot inside its walls. Outside of Life collects Barnes' images of that year
.
‘By turns confrontational and revealingly sensitive, Barnes’ monochrome pictures capture individuals who have either chosen or been condemned to lead lives beyond the norms of bourgeois society.’ The Week
.
Hunter Barnes – Leroy, 2003
Metallic gold and black lithograph
Edition of ten
Print size 24 x 30” (61 x 76cm)

Now showing - Hunter Barnes: Outside of Life‪, u

Now showing - Hunter Barnes: Outside of Life‪, until 20th December 2019‬
‪.‬
In 2003, #HunterBarnes spent a year travelling the USA, documenting individuals on the fringe of society who he met along the way, including lowriders, bikers, Bloods and California State Prison inmates. In time, Barnes gained their trust and understanding, which lead to acceptance into these communities. Living with a motorcycle club in New York, Hunter also rode through the deserts of New Mexico with lowrider car clubs, was accepted by Bloods in East St. Louis, and was granted access to California’s maximum-security prison system, the first photographer to be permitted to shoot inside its walls. Outside of Life collects Barnes' images of that year
.
‘By turns confrontational and revealingly sensitive, Barnes’ monochrome pictures capture individuals who have either chosen or been condemned to lead lives beyond the norms of bourgeois society.’ The Week
.
Hunter Barnes: Polo, East St. Louis, Missouri, 2003

Now showing - Hunter Barnes: Outside of Life.‪ 2

Now showing - Hunter Barnes: Outside of Life.‪ 27th September to 20th December 2019‬
‪.‬
In 2003, #HunterBarnes spent a year travelling the USA, documenting individuals on the fringe of society who he met along the way, including lowriders, bikers, Bloods and California State Prison inmates. In time, Barnes gained their trust and understanding, which lead to acceptance into these communities. Living with a motorcycle club in New York, Hunter also rode through the deserts of New Mexico with lowrider car clubs, was accepted by Bloods in East St. Louis, and was granted access to California’s maximum-security prison system, the first photographer to be permitted to shoot inside its walls. Outside of Life collects Barnes' images of that year
.
Hunter Barnes – Low Low, Espanola, Chimayo, New Mexico, 2003

Now showing - Hunter Barnes: Outside of Life.‪ 2

Now showing - Hunter Barnes: Outside of Life.‪ 27th September to 20th December 2019‬
‪.‬
In 2003, #HunterBarnes spent a year travelling the USA, documenting individuals on the fringe of society who he met along the way, including lowriders, bikers, Bloods and California State Prison inmates. In time, Barnes gained their trust and understanding, which lead to acceptance into these communities. Living with a motorcycle club in New York, Hunter also rode through the deserts of New Mexico with lowrider car clubs, was accepted by Bloods in East St. Louis, and was granted access to California’s maximum-security prison system, the first photographer to be permitted to shoot inside its walls. Outside of Life collects Barnes' images of that year
.
Hunter Barnes – Israel, Espanola, Chimayo, New Mexico, 2003

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